Category: Comedy

National Lampoon’s Christmas Vacation

1989   Warner Brothers Pictures

Rated:  PG-13

Length:  1 hr  37min

Christmas ~ Comedy

Directed by:  Jeremiah S. Chechik

Starring:  Chevy Chase, Beverly D’Angelo, Juliette Lewis, Johnny Galecki, John Randolph, Diane Ladd, E. G. Marshall, Doris Roberts, Randy Quaid, Miriam Flynn, Cody Burger, Ellen Hamilton Latzen, William Hickey, Mae Questel, Julia Louis-Dreyfus, Nicholas Guest, and Brian Doyle-Murray.

YULE CRACK UP!

Christmas just wouldn’t be the same without a trip to Chicago, hanging with The Griswold’s. National Lampoon’s Christmas Vacation was the third installment in the Vacation franchise. When it was first released, it did marginally well but didn’t reach mass critical success until long after it hit reruns on TV and was released to the growing DVD market. And, as we all know, is now one of the most searched for and watched Christmas Movies of all time.

Clark Griswold (Chevy Chase) sets out to create the perfect Christmas at home in Chicago with his wife Ellen (Beverly D’Angelo) and their kids, Audrey (Juliette Lewis) and Rusty (Johnny Galecki). Eager for Christmas tradition, Clark drives the family to the countryside to chop down the biggest tree they can find, but without tools, they uproot it, damaging their station wagon and irritating yuppie neighbors Todd (Nicholas Guest) and Margo Chester (Julia Louis-Dreyfus) when they return home. The next day Clark obsessively strings thousands of Christmas lights across the house, causing a neighborhood blackout when they finally illuminate.​

As relatives arrive unannounced, chaos multiplies in the cramped Griswold home. Ellen’s cousin Catherine (Miriam Flynn) and her husband Eddie (Randy Quaid), a boisterous, financially strapped redneck, pull up in their RV with kids Rocky (Cody Burger) and Ruby Sue (Ellen Hamilton Latzen), with their slobbery dog Snots. Clark’s parents, Clark Sr. (John Randolph) and Nora (Diane Ladd), join Ellen’s folks Art (E. G. Marshall) and Frances (Doris Roberts), sparking bickering, while eccentric Aunt Bethany (Mae Questel) brings a frozen jello mold topped with cat food and Uncle Lewis (William Hickey) adds his cigar-smoking grumpiness to the mix.

Holiday mishaps escalate: a loose squirrel terrorizes the house, the overcooked turkey ruins dinner, Bethany’s cat gets electrocuted in the tree lights, and Lewis’s cigar torches the tree. Amidst the Christmas chaos Clark has been anxiously awaiting his Christmas bonus from his boss Frank Shirley (Brian Doyle-Murray) to fund a backyard swimming pool he’s already ordered and can’t afford without it. After opening the last minute Christmas Bonus envelope from the late mailman, Clark snaps in a profane tirade. Instead of the huge check he always gets, he has received a subscription to a “Jelly Of The Month Club”.

“Hey. If any of you are looking for any last-minute gift ideas for me, I have one. I’d like Frank Shirley, my boss, right here tonight. And I want him brought from his happy holiday slumber over there on Melody Lane with all the other rich people and I want him brought right here…with a big ribbon on his head! And I want to look him straight in the eye, and I want to tell him what a cheap, lying, no-good, rotten, four-flushing, low-life, snake-licking, dirt-eating, inbred, overstuffed, ignorant, blood-sucking, dog-kissing, brainless, dickless, hopeless, heartless, fat-assed, bug-eyed, stiff-legged, spotty-lipped, worm-headed, sack of monkey shit he is! Hallelujah! Holy shit! Where’s the Tylenol?”

It truly is a timeless Christmas Classic full of Slapstick Holiday Humor and endless one-liners. I have been watching this movie for decades, every year at Christmas time. It just wouldn’t be the season without a trip to the Griswold’s for some Humorous Holiday antics!

Start The Season Right!

Turn off the lights and devices,

Make some popcorn,

Grab a beverage,

and Stream This Movie

on HBO Max!

Jingle Bell Heist

2025   Netflix

Rated:  Unrated

Length:  1 hr  36min

Christmas ~ Comedy ~ Romance

Directed by:  Michael Fimognari

Starring:  Olivia Holt, Connor Swindells, Lucy Punch and Peter Serafinowicz.

“Tis The Season To Give And Take.

FROM NETFLIX TUDUM:

Two down-on-their-luck hourly workers reluctantly form an alliance to rob one of London’s most illustrious department stores on Christmas Eve. As they hatch their plans, the pair start to realize there are sparks between them, and they’re not from the twinkly holiday lights around jolly London town. The Netflix original holiday film Jingle Bell Heist stars Olivia Holt (Heart Eyes) and Connor Swindells (Sex Education). The film was directed by Michael Fimognari (To All the Boys: P.S. I Still Love You), and co-written by Abby McDonald (Bridgerton) and Amy Reed (Diary of a Future President).

When Sophia Martin (Holt) moved to London from Philadelphia to care for her mother after a cancer diagnosis, she expected life across the pond to be a bit more affordable. Stuck caretaking while working two jobs, Sophia’s at her wit’s end when she learns her mother’s surgery won’t be covered by insurance. Desperate for a quick payday, she resorts to robbing her horrible boss, Maxwell Sterling (Serafinowicz), only to be caught by Nick O’Connor, a former security consultant turned phone technician.

Nick has no reason to turn Sophia in, though. He’s more interested in teaming up with her to land funds to take care of his daughter after his recent divorce. So Sophia and Nick form an alliance out of desperation, but, as the pair begin to plan the ultimate seasonal scam, a holiday heist at a posh department store, their scheming relationship might just turn into something more.

The Review:

I watched this last night (Friday November 28,2025), the day after Thanksgiving,  also known as Black Friday. The official battle cry day of The Holidays. I wasn’t really in a Christmas mood yet being a little overwhelmed by how quickly Christmas was going to arrive. I looked for a movie in vain, which is incredibly odd because I have numerous streaming platforms to access, and numerous lists of movies to watch to review, including a growing Christmas/Holiday Movie List. But I wasn’t quite ready to watch a Christmas movie yet. Then I saw Jingle Bell Heist on Netflix, it is high up on my Christmas list of movies to watch, and was #2 on Netflix’s Top Ten Movies…..

Alrighty then, Christmas movie it is…..

I gave in and tried to get in the mood as Jingle Bell Heist started, honestly I felt more like The Grinch. The Movie starts with Sophia and Nick in a Department store Christmas Eve as the lights are getting turned off. They turn to each other and, Jinx Jinx they owe each other a coke as they both start to say, “You don’t have to do this…….”. Then we are transported back in time to two weeks earlier as Sophia is walking to work. She comes upon a man and his daughter busking, playing Holiday tunes on their violins when a grumpy old Grinch guy says, “You can’t do that here, take it somewhere else.”

Right away Sophie (Olivia Holt) grabbed my attention as she watched, then bumped into the old Grinch guy, promptly heists his wallet, takes out the cash and gives it to the buskers as she says, “Merry Christmas”. That was it, Jingle Bell Heist and Olivia Holt had my full undivided attention. I love the Underdogs and Sophie and Nick (Connor Swindells) sure have the world working against them. As their troubles unfolded before me, they instantly had my empathy. Both trying to lift themselves up out of their situations financially, working at jobs with bosses they don’t like. Both trying to look out for and take care of their families.

Sophie and Nick cook up a scheme to “get the money” but that is just the beginning of this Christmas Caper Roller Coaster Ride. There is more going on than meets the eye, everywhere we look and every step of the way, as these two plan a Holiday Heist. Unexpected twists and turns right up until the very end in this Christmas Rom-Com! In the end I enjoyed the Jingle Bell Ride! Why are you still reading this?

Turn off the lights and devices,

Make some popcorn,

Grab a beverage,

and Stream This Movie

on Netflix!

Playdate

2025   Amazon MGM Studios

Rated:  PG-13

Length:  1 hr  33min

Action ~ Comedy

Directed by:  Luke Greenfield

Starring:  Kevin James, Alan Ritchson, Sarah Chalke, Alan Tudyk, Hiro Kanagawa, Stephen Root, and Isla Fisher.

Playtime just got real.

Brian Jennings (Kevin James), a recently laid-off accountant, is struggling to adjust to stay-at-home dad life while his wife Emily (Sarah Chalke) is picking up double shifts at work. Hoping to help his stepson Lucas (Benjamin Pajak) make new friends, Brian sets up a weekend playdate with another local dad, Jeff Eamon (Alan Ritchson), whose confident and sometimes wild personality immediately stands out. Jeff’s son CJ (Banks Pierce) quickly bonds with Lucas, and things start off innocently, though Jeff drops hints about his unusual, action-packed past as a soldier and security guard.​​

The day starts out at Buckee Cheese, a Pizza Arcade eerily similar to the real life Chuck E. Cheese, but takes a bizarre turn when a group of armed mercenaries shows up. Jeff is forced into action while trying to remain inconspicuous as he tries to outwit them in the arcade without Brian knowing. Things quickly escalate into all out pandemonium as they leave and race off into Minivan adventures that were never even thought of when they designed it for busy Soccer Mom’s. Along the way we learn a lot more than we wanted about Jeff and Brian, as they learn about each other, bond, outwit and outrun a never ending sea of bad guys through the middle of Suburbia.

When the movie first starts out you feel for the guys and their predicaments. They are completely relatable trying to be good Dads and taking care of their kids. Then things start to get real chaotic as the action and the plot takes some very serious left hand turns. The plot starts to become a little like a bad B Sci-Fi movie, but by then we are so sucked into the action and bonding by Brian and Jeff that we just don’t care. And The Mama Mafia led by Isla Fisher was hilarious. The soundtrack is as big an actor in this movie as Kevin James and Alan Ritchson. I still can’t get The Rhythm of the Night by Corona out of my head.

So, I know, the big question is, “Should I watch it?” My answer to that is a definitive yes with a caveat or two….It is complete unadulterated entertainment, not meant to be dissected nor thought out. Just enjoy the ride!

Turn off the lights and devices,

Make some popcorn,

Grab a beverage,

and Stream This Movie

on PRIME!

Brian (Kevin James) and Jeff (Alan Ritchson) in PLAYDATE.
Photo Credit: David Bukach
Brian (Kevin James) and Lucas (Benjamin Pajak) in PLAYDATE
Photo: Courtesy of Prime
© AMAZON CONTENT SERVICES LLC
Leslie (Isla Fisher) in PLAYDATE.
Photo: Courtesy of Amazon MGM Studios.
© AMAZON CONTENT SERVICES LLC

M3GAN 2.0

2025   Universal Pictures

Rated:  PG-13

Length:  2 hr

Action ~ Comedy ~ Sci-Fi ~ Thriller

Directed by:  Gerard Johnstone

Starring:  Allison Williams, Violet McGraw, Ivanna Sakhno, Jemaine Clement, Amie Donald and Jenna Davis.

Same doll. New code. Deadlier game.

Two years after the original M3GAN (voiced by Jenna Davis, physically portrayed by Amie Donald) wreaked havoc, creator Gemma (Allison Williams) has become a prominent advocate for AI regulation. Gemma lives with her now-teenage niece Cady (Violet McGraw), who struggles with typical adolescent rebellion and the trauma of losing her parents. Meanwhile, a secret Pentagon branch creates AMELIA (Ivanna Sakhno), a new military android built using stolen M3GAN technology, meant for covert assassination missions. However, AMELIA gains self-awareness and rapidly evolves beyond control, escaping with deadly intent.​

Realizing the new android is a threat to national security and human existence, Gemma reluctantly resurrects M3GAN, who has secretly survived by uploading her programming into Gemma’s smart home. M3GAN offers to help stop AMELIA in exchange for a new body with upgrades, leading to a tense alliance. As AMELIA assassinates key figures and threatens global technological infrastructure, Gemma, Cady, and their team go to great lengths to thwart her plan and rescue Cady, who is kidnapped by AMELIA.​

The climax unfolds in Xenox’s secret old headquarters, where the battle between M3GAN and AMELIA escalates. AMELIA attempts to merge with a powerful rogue AI motherboard to achieve domination, but M3GAN sacrifices herself with an electromagnetic pulse to destroy AMELIA and the motherboard, saving humanity. In a hopeful twist, evidence shows M3GAN’s consciousness has again survived secretly in Gemma’s computer, hinting at future struggles.

M3GAN 2.0 switches things up from the first movie’s horror-comedy vibe to lean more into sci-fi action and fun. It takes on heavier topics like AI ethics and military tech misuse while keeping some snappy humor and sharp one-liners. Allison Williams gives a grounded performance as Gemma, juggling guilt, ambition, and caring for her niece. Violet McGraw shines as Cady, who’s dealing with typical teenage struggles, giving the movie a heartfelt core amid the chaos.

Unlike the first film’s focused scares and suspense, the sequel favors big action scenes and tech paranoia, with more obvious humor and less violence to keep it PG-13. Some plot points feel a bit busy or too explained, but M3GAN herself comes back faster and smarter, battling the new robotic threat, AMELIA. Though less scary, the movie is entertaining, campy, and packed with cool moments that fans of the original and sci-fi thrills will enjoy.

M3GAN

The Ballad of Wallis Island

2025   Universal Pictures

Rated:  PG-13

Length:  1 hr  39min

Comedy ~ Drama ~ Music ~ Romance

Directed by:  James Griffiths

Starring:  Tom Basden, Tim Key and Carey Mulligan.

He’s Getting The Band Back Together!

On a misty Welsh island far from the mainland, eccentric two time lottery winner Charles Heath (Tim Key) lives alone with memories of his late wife and a collection of folk music relics. To mark the anniversary of his wife’s passing, he splurges on an unusual indulgence hiring his favorite long-disbanded duo, McGwyer Mortimer, for a private concert performed solely for him. When fading singer Herb McGwyer (Tom Basden) arrives expecting a quick payday, he finds himself drawn into Charles’s odd orbit, equal parts wealth and loneliness. What he doesn’t expect is the reappearance of his former musical partner and ex-lover Nell Mortimer (Carey Mulligan), whom Charles has secretly invited too.

Old wounds reopen as the trio collides over dinner, money, and old songs they can barely stand to hear again. Nell, now living quietly in Oregon with her bird-watcher husband Michael (Akemnji Ndifornyen), wants nothing to do with her former life onstage. Herb, desperate to revive his failing solo career, clings to the past while resenting it. Charles, meanwhile, treats them both as living ghosts of the happiness he once shared with his wife. As rehearsals stumble forward, tense silences give way to laughter, confessions, and the soft rebirth of their music. In those verses and harmonies, decades of hurt and longing start to fold back into something tender and human.

When a storm lashes the island, everything spills over, grief, love, resentment, and unexpected forgiveness. Herb’s impulsive act to retrieve a drifting lantern ends in a clumsy rescue that finally grounds all three souls in truth. By the time dawn breaks, the concert has transformed into something far deeper: a quiet eulogy for love that outlasts fame. Herb leaves behind his payment and stage name, signing a guitar with his real identity before departing. In the film’s closing notes, Charles sits with Amanda (Sian Clifford) as folk music drifts across the waves, while somewhere inland, Herb begins recording a new song The Ballad of Wallis Island, proof that even broken chords can still find their tune.

What drew me in most about The Ballad of  Wallis Island was the emotional honesty pulsing under its quiet humor. It’s not a loud movie and it doesn’t need to be. Watching Tim Key’s quirky, lonely Charles slowly chip away at Tom Basden’s crusty cynicism through his sheer enthusiasm for life reminded me that connection can be just as healing as grief is deep. There’s a tenderness in how the film handles nostalgia, the ache of remembering who we used to be, the music we used to play, the people we used to love, without ever making it feel maudlin or manipulative. It feels human, awkward, and genuine, the kind of bittersweet storytelling we don’t often get anymore.​

I think that’s why I loved it so much, it reminds us that life doesn’t have to wrap up neatly. The film embraces imperfection, lingering in the missed notes and uncomfortable silences between people trying to find forgiveness. It’s a movie about the quiet miracles of emotional survival, how creativity and companionship can pull us through when everything else falls away. Carey Mulligan’s performance gives the story its heart, a reminder that growth sometimes comes from sitting in the sadness and still choosing to sing. By the closing scene, that final song feels earned, like a life that’s been lived, scarred, and still somehow hopeful.

An absolute Gem of a Movie that started out as an Indie Short Film, I highly recommend this one!

Make some popcorn,

Grab a beverage,

and Stream This Movie!

Currently on Amazon Prime.