2019 Lionsgate Films
Rated: PG-13
Length: 2 hr 10min
Comedy ~ Crime ~ Drama ~ Mystery ~ Thriller ~ Whodunnit
Directed by: Rian Johnson
Starring: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, LaKeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer, Frank Oz, Riki Lindhome, Edi Patterson, K Callan, Noah Segan, M. Emmet Walsh, Marlene Forte and Joseph Gordon-Levitt.
Nothing Brings A Family Together Like Murder
Knives Out follows the wealthy Thrombey family in the aftermath of crime novelist Harlan Thrombey’s (Christopher Plummer) mysterious death at his sprawling estate. Detectives led by gentleman-sleuth Benoit Blanc (Daniel Craig) arrive to question the relatives, all of whom seem more interested in Harlan’s money than in mourning him. As Blanc listens in, it becomes clear that each family member is hiding something, and that the “suicide” might not be as straightforward as it looks.
At the heart of the story is Marta Cabrera (Ana de Armas), Harlan’s kind, soft-spoken nurse, who had a close, genuine bond with him that his own children (Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette) seem to lack. Marta throws up when she tries to lie, which turns her into both an unlikely ally and a walking truth-detector for Blanc. When the will is read and Marta unexpectedly becomes the main heir to Harlan’s fortune and mansion, the once-smug Thrombeys quickly turn on her, exposing their entitlement and desperation in very down-to-earth, almost darkly comic ways.
As pressure mounts, Marta finds herself scrambling to keep her own involvement with Harlan’s final hours hidden while also trying to do the right thing. Harlan’s black-sheep grandson Ransom (Chris Evans) steps in, acting like the only family member willing to help her, but his smug charm and sudden interest raise questions about his true motives. The investigation spirals into car chases, secret notes, and late-night meetings, all while Blanc patiently pieces together a timeline that keeps shifting as new details emerge.
Ana de Armas shines as Marta Cabrera, the immigrant nurse who’s equal parts heart and hidden steel in a house full of schemers. She plays her as genuinely kind and awkward, constantly fidgeting or throwing up when she tries to lie, which makes her the moral center everyone else orbits around. It’s a breakout role that lets her mix vulnerability with quiet smarts, turning what could be a side character into the emotional engine of the whole mystery. Her chemistry with Harlan (Christopher Plummer) feels real and earned, like the one authentic relationship in a family built on fakeness, which sets her up perfectly for the chaos when the will drops its bombshell. De Armas nails the outsider vibe too, soft-spoken accent, wide-eyed politeness that masks a fierce sense of right and wrong, making every scene she’s in crackle with tension and sympathy
A couple of minutes in watching Daniel Craig as Benoit Blanc, I forgot that it was Daniel Craig. Instead of just playing Daniel Craig with an accent, he disappears into Benoit Blanc completely. He leans hard into Benoit’s slow, drawling Southern charm, with a slightly goofy, theatrical edge, and it strips away all the cool, steely James Bond baggage we’re used to seeing almost immediately. The physicality helps too, looser posture, more expressive hands and face, and a kind of amused curiosity, so he feels like a quirky gentleman detective rather than an action star slumming it. The softness in his voice, the patience in his pacing, and the way he lets other characters fill the space all help you forget the actor and just track Blanc’s brain at work. It feels like watching a character from a classic mystery novel who has somehow wandered into a very modern, messy family drama, and Craig commits to that blend so completely that the star persona fades into the background.
Knives Out doesn’t just copy the old-school whodunnit formula, it updates it by blending classic mystery motifs with today’s social and political tensions. Rian Johnson builds the story around familiar elements, a big eccentric family, a sprawling mansion, and a quirky detective, but uses them to explore themes like privilege, immigration, and class conflict in a way that feels current rather than nostalgic. By flipping when and how key information is revealed, the film shifts the focus from simply guessing the killer to questioning motives, power dynamics, and who gets to claim the moral high ground, turning a cozy genre staple into something sharper and more reflective of the world viewers recognize now.
Knives Out is highly recommended for anyone who loves clever mysteries with bite. It nails the whodunit formula while delivering fresh laughs, stellar acting, and social commentary that doesn’t preach. You know what Bobby says:
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