Flight Risk is a tense action thriller set against the stunning but treacherous backdrop of the Alaskan wilderness. The film centers on Deputy U.S. Marshal Madolyn Harris (Michelle Dockery), who is tasked with transporting Winston (Topher Grace), an accountant turned informant on the run from the Moretti crime family. As they board a small plane piloted by the seemingly affable Daryl Booth (Mark Wahlberg), their journey quickly becomes a fight for survival when it’s revealed that the pilot is actually a hitman sent by Moretti to ensure Winston never testifies.
Stranded and isolated, Madolyn must confront her own traumatic past as she improvises to protect Winston and herself. The situation escalates when they learn there’s a leak within the U.S. Marshals connected to the crime family, making them targets not just from the skies but also from within law enforcement. As Madolyn wrestles to keep control of the plane and maintain hope for rescue, the tension on board builds relentlessly, with shifting alliances and personal demons coming to the fore.
The film’s climax is a nonstop barrage of confrontations; Madolyn fends off both the lethal hitman and manipulations from her superiors. As the plane careens toward a perilous landing amid running low on fuel, Madolyn’s resourcefulness and courage are put to the ultimate test. In the final moments, she not only manages to land the plane but thwarts another assassination attempt on Winston, who is rushed to safety. “Flight Risk” delivers high-altitude suspense with psychological drama, underscored by revelations of betrayal and redemption.
It is Mark Wahlberg as you’ve never seen him before. At first it was almost hilarious watching Daryl and his quirky banter with his two passengers, but the tone quickly turned dark as Daryl reveals his true identity and evil intent. It was unnerving to say the least watching Mark Wahlberg portraying a very dark evil side. Stepping well outside his usual heroic or wholesome roles, Wahlberg embraces the character’s duplicitous nature, portraying Daryl as both a seemingly folksy, affable pilot and a ruthless, unhinged hitman. Wahlberg made a visible physical transformation by shaving his head for the role, adding a raw and unsettling authenticity that heightened the menace of his character. As the film progresses and his character’s evil intentions come to light, Wahlberg shifts gears into an overtly psychopathic demeanor—snorting, snarling, and radiating danger.
I liked it, it was fascinating to watch Mark Wahlberg in this role. It is a good little ride, grab some popcorn and give it a go….
Michelle Dockery as Madolyn and Mark Wahlberg as Daryl in Flight Risk. Photo Credit: Courtesy of LionsgateMichelle Dockery as Madolyn in Flight Risk. Photo Credit: Courtesy of LionsgateTopher Grace as Winston in Flight Risk. Photo Credit: Courtesy of LionsgateFlight Risk Movie Poster Courtesy of Lionsgate
She Rides Shotgun – A Novel by Jordan Harper – March 13, 2018.
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school into a world of robbery, violence, and the constant threat of death. And he does it to save her life.
Nate made dangerous enemies in prison—a gang called Aryan Steel has put out a bounty on his head, counting on its members on the outside to finish him off. They’ve already murdered his ex-wife, Polly’s mother. And Polly is their next target.
Nate and Polly’s lives soon become a series of narrow misses, of evading the bad guys and the police, of sleepless nights in motels. Out on the lam, Polly is forced to grow up early: with barely any time to mourn her mother, she must learn how to take a punch and pull off a drug-house heist. She finds herself transforming from a shy little girl into a true fighter. Nate, in turn, learns what it’s like to love fiercely and unconditionally—a love he’s never quite felt before. But can their powerful bond transcend the dangerous existence he’s carved out for them? Will they ever be able to live an honest life, free of fear?
She Rides Shotgun is a gripping and emotionally wrenching novel that upends even our most long-held expectations about heroes, villains, and victims. Nate takes Polly to save her life, but in the end it may very well be Polly who saves him.
THE MOVIE:
She Rides Shotgun follows Nate (Taron Egerton), a recently released ex-con who suddenly shows up at his 11-year-old daughter Polly’s (Ana Sophia Heger) school and drags her into a car without much explanation. Polly barely knows her father and does not trust him, but she quickly learns that a violent white-supremacist prison gang has marked Nate’s entire family for death, and the safest place for her might actually be on the run with this stranger she is supposed to call “Dad.”
As they hit the road across New Mexico, Nate starts teaching Polly how to disappear: new hair, new clothes, fake names, and a crash course in how not to look scared. They bounce between cheap motels, roadside diners, and sketchy contacts from Nate’s old criminal life, always trying to stay one step ahead of the gang members hunting them. At first Polly feels like cargo, but the more danger they face, the more Nate involves her in the plan, whether she is ready or not.
Nate takes Polly to his brother Nick’s ex-girlfriend’s house looking for help and a place to lay low for a while. Charlotte (Odessa A’zion) is a tough, street-smart woman who gives Polly a different view of Nate and the choices he has made. Polly starts to pick up survival skills of her own, from handling herself in sketchy places to swinging a baseball bat as more than just a toy, which both scares her and makes her feel powerful. The father and daughter who started as strangers slowly develop a rough, awkward bond, built on shared danger and dark jokes.
As the gang closes in and law enforcement also starts paying attention, the walls tighten around Nate and Polly, forcing them into riskier moves and more direct confrontations. Nate becomes increasingly desperate to wipe out the threat before it reaches Polly, while Polly struggles with how much violence she is willing to accept from the man who is finally acting like a father. The story builds toward a final standoff that tests how far both of them will go to protect each other.
As I watched Ana Sophia Heger’s Polly in She Rides Shotgun, I was genuinely impressed by how authentic and emotionally nuanced her performance was. She never tries to play Polly as unrealistically tough, but instead shows a kid who’s scared, confused, and searching for safety, all in a world that keeps demanding she grow up too fast. The subtle changes in her expressions, whether she’s nervously watching her dad dye her hair or making difficult decisions under stress, made every scene feel real, and at times, heartbreaking.
What really resonated was how Ana, despite her age, matches and sometimes elevates the energy Taron Egerton brings to the screen. Their chemistry gives the whole father-daughter dynamic a bruised authenticity that made me care about their connection. There’s a moment near the end when Polly’s silent reaction communicates more than any line of dialogue could. For me, Ana Sophia Heger absolutely anchors the emotional tone of the film, her vulnerability, grit, and growth make Polly’s journey unforgettable and truly worth watching.
Ana Sophia Heger, at the age of 12, is an actress to watch, inviting comparisons to a young Tatum O’Neal while carving out something more fragile and contemporary. Ana gives a performance that feels like a spiritual descendant of Tatum in Paper Moon, but filtered through a 2020s sensibility. Less wisecracking prodigy, more vulnerable kid learning, far too early, what violence and loyalty really cost. She brings genuine depth and subtlety to her role far beyond her years, and given her passion, discipline, and ability to handle emotionally complex material, Ana Sophia Heger is poised to become a truly exceptional force in film as she grows.
You know what Bobby would say……
Highly Recommended!
Turn off the lights and devices,
Make some popcorn,
Grab a beverage,
and Stream This Movie
on PRIME!
Taron Egerton and Ana Sophia Heger in SHE RIDES SHOTGUN. Photo Credit: Courtesy of LionsgateTaron Egerton and Ana Sophia Heger in SHE RIDES SHOTGUN. Photo Credit: Courtesy of Lionsgate
We all make choices and decisions everyday, whether we want to or not. We try to make the right decisions but sometimes they just don’t turn out that way. If you have a family and kids you make decisions based on trying to give them the best life you can. Including giving them everything that they want that makes them happy. Jeffrey Manchester (Channing Tatum) made some bad choices and decisions about how to get his family the things they wanted but he couldn’t afford. He figured out how to break through the roof of a McDonald’s, hiding out in the bathroom until the morning crew and manager arrived, then escorting the group politely into the freezer walk-in and robbing the store of all it’s cash.
He became very successful at robbing McDonald’s ultimately robbing an estimated 45-60 stores and making his family happy in the process, buying them everything that they wanted. He was dubbed “The Roofman” by the police and evaded capture until he got greedy and attempted to rob two stores in the same area on the same day. He was sentenced to prison losing everything including his family, but cleverly escaped, ending up hiding out in a nearby Toys-R-Us in Charlotte, North Carolina. Leigh Moore (Kirsten Dunst), a divorcee with two daughters, works at the store and catches Jeffrey’s attention. Jeffrey bravely stalks her to the Church where she attends under the guise of donating to their annual Christmas toy drive, donating a bagful of toys stolen from the Toys-R-Us store.
They start to date and Jeffrey tries hard to conceal his real identity, going by the alias John Zorn. As their relationship grows stronger, Jeffrey tries to be the family man he couldn’t be with his real family. Making sure Leigh and her daughters have everything they want and need, trying to connect emotionally with them. Leigh isn’t just a love interest; she’s the mirror that reflects the man Jeffrey wants to be versus the one he’s become. Their growing relationship gives the film its heart, grounding the chase in something far more personal, redemption. Tatum and Dunst have a chemistry that feels honest and unforced, pulling you into moments that almost make you forget the man’s a wanted fugitive. There is a final scene between the two of them that is absolutely heartbreaking, capturing the real emotion between Jeffrey and Leigh.
Director Derek Cianfrance brilliantly contrasts Jeffrey’s calm domestic moments with the encroaching reality of his past catching up. Each scene in the bright, colorful toy aisles feels like a countdown, playful on the surface, tense underneath. You know it can’t last, but you still want it to. Jeffrey learns that freedom comes with a price, and the film dives deep into the psychological unraveling that follows. It’s fascinating watching a man so careful, so cunning, begin to lose control of the very plan that once defined him. You are instantly drawn into the psyche of Jeffrey Manchester, rooting for him even though you know he is a criminal. And that is thanks to Channing Tatum’s brilliant performance as Jeffrey, might be one of his best yet.
LaKeith Stanfield plays Steve, the loyal, resourceful, and compassionate best friend to Jeff Manchester, helping him with fake documents and support while risking his own freedom. Peter Dinklage plays Mitch, the observant and perhaps quirky store manager at the Toys-R-Us where Jeffrey hides out, developing a unique dynamic with Tatum’s character and Kirsten Dunst’s employee, offering a blend of comedy and drama in a role that highlights his versatility as an actor.
Roofman isn’t just a great true-crime story, it’s a moral puzzle wrapped in an unexpectedly emotional thriller. It reminds us that even when our intentions are good, our choices can define us in ways we never see coming.
Wake Up Dead Man: A Knives Out Mystery pulls Benoit Blanc (Daniel Craig) into his darkest case yet, summoned to a tight-knit rural community gripped by scandal after the shocking death of the fiery, domineering leader of the local Church Priest Monsignor Jefferson Wicks (Josh Brolin).
The prime suspects are:
Rev. Jud Duplenticy (Josh O’Connor), a troubled young priest and former boxer
Martha Delacroix ( Glenn Close), the devout widow and church pillar
Chief Geraldine Scott (Mila Kunis), the local police head
They all weave a tense net of alibis, grudges, and histories amid Sunday services and midnight reckonings that expose abuses and shattered vows. What starts as a tidy whodunit spirals through labyrinthine twists, feints within feints, alibis that devour each other, revelations that flip loyalties upside down, and a mid-film bombshell that redefines every suspect’s soul, culminating in a finale as merciless and mind-melting as Blanc’s previous cases, all without a single predictable step. The mystery tightens around these players, pushing Blanc into moral gray zones the prior films merely grazed.
Where Knives Out skewered privilege and Glass Onion mocked tech excess, Wake Up Dead Man excavates power, belief, and institutional weapons. It plays like a gothic church whodunnit, playful and twisty, but heavier emotionally with brutal fallout when truths erupt. Classic puzzle joys (alibis, herrings, reveals) persist, yet it probes who earns forgiveness or escapes when the “godly” circle wagons.
Craig continues to have a blast as Benoit Blanc, but this time the charm and drawl hide a man genuinely shaken by what he uncovers. The case forces Blanc to confront not just who committed the crime, but what kind of world keeps letting the same patterns repeat, giving him some of his most haunted and introspective moments in the Knives Out trilogy. Yet even in the darkest scenes, Craig threads in just enough wry humor and observational wit to keep Blanc feeling like the same eccentric detective fans love, now pushed to his limits instead of simply amused by human folly.
True to the series, the ensemble is loaded with memorable suspects and side players, each with sharp, specific motives and grudges that gradually peel back as the investigation deepens. Performances bounce between fervent righteousness, brittle denial, and raw vulnerability, underscoring how faith, shame, and community pressure can twist people in different directions. The dynamic between the younger characters and the older “pillars” of the town is especially juicy, framing the mystery as a generational clash over who gets to define truth and morality. Josh O’Connor’s brooding Jud steals scenes as faith’s black sheep; Glenn Close’s Martha and Josh Brolin’s Wicks embody belief’s sharp edges.
Wake Up Dead Man: A Knives Out Mystery is highly recommended for anyone who loved the first two films and is ready for a darker, more emotionally loaded spin on Blanc’s world. It keeps the clever structure, rug-pull twists, and character-driven revelations that made the other two movies a hit, while pushing deeper into messy questions about belief, justice, and who gets to walk away clean when the dust settles. You know what Bobby says:
Bad people. Beautiful places. Brilliant detective.
Glass Onion: A Knives Out Mystery transports the action to a luxurious private island owned by tech billionaire Miles Bron (Edward Norton), where a group of his handpicked “disruptors” gathers for a murder-mystery game that turns deadly real. Benoit Blanc (Daniel Craig) is back, invited under mysterious circumstances, poking at the egos and secrets of this elite crew amid opulent parties and elaborate puzzles. As Blanc unravels the threads, it becomes clear that Bron’s inner circle, each with axes to grind and alibis to fake, is hiding more than just bad ideas behind their success stories.
At the story’s core is Birdie Jay (Kate Hudson), Bron’s ditzy fashionista girlfriend with a heart of fool’s gold, alongside the sharp-tongued scientist Cassandra Brand (Janelle Monáe), loyal assistant Peggy (Jessica Henwick), and others like the YouTuber Duke (Dave Bautista) and his suspicious girlfriend Whiskey (Madelyn Cline). These characters orbit Bron like planets around a black hole of charisma, their loyalty tested when a key death upends the weekend getaway. Blanc’s quiet observations cut through the flash, turning the group’s self-congratulatory vibes into a powder keg of resentment and deception.
As the investigation heats up, Blanc navigates booby-trapped sets, hidden motives, and a script-flipping pace that keeps everyone guessing, all while the island’s isolation amps the stakes. Bron’s right-hand man Lionel (Leslie Odom Jr.) and the enigmatic Helen step into pivotal roles, forcing everyone to confront how far they’d go to protect their slice of the empire. The mystery builds through wild reveals and chases, with Blanc piecing together a puzzle that’s as much about ego as evidence.
Daniel Craig doubles down on Blanc’s charm, blending that drawling Southern wit with sharper impatience for nonsense this time around, gone is some of the goofiness, replaced by a steely focus that makes him feel even more like the genre’s new king. His physical ticks, like the fidgety hands and piercing stares, evolve into a more commanding presence, shedding any lingering Bond shadow while owning the detective’s theatrical flair amid absurdly rich suspects.
Janelle Monáe commands as Cassandra/Helen, channeling raw grief and intellect into a role that flips from overlooked genius to force of nature, her every glance loaded with unspoken fury. She nails the duality, vulnerable yet unbreakable, making her the emotional anchor in a sea of caricatures, with chemistry opposite Blanc that sparks like flint on steel.
Glass Onion amps the satire, swapping family dysfunction for tech-bro hubris and influencer excess, using the whodunnit to skewer “move fast and break things” culture, fake innovation, and loyalty bought with NDAs. Rian Johnson twists the formula harder, early reveals shift suspicion to deeper lies, blending Clue’s playfulness with Ocean’s Eleven polish for a mystery that’s gleefully meta yet brutally on-point about power and privilege today.
Glass Onion is highly recommended for fans of clever twists, ensemble chaos, and Blanc’s brainpower, sharper and splashier than the original with 92% on Rotten Tomatoes!
STREAMING MOVIE NIGHT 