A House Of Dynamite

2025   Netflix

Rated:  R

Length:  1 hr  52min

Apocalyptic ~ Drama ~ Political Thriller

Directed by:  Kathryn Bigelow

Starring:  Idris ElbaRebecca FergusonGabriel BassoJared Harris, and Tracy Letts.

NOT IF….WHEN.

FROM NETFLIX TUDUM:

In A HOUSE OF DYNAMITE, the day starts like any other, but then everything changes. When a single unattributed missile is launched at the United States, a race begins to determine who is responsible, and how to respond.

That’s the nerve-wracking premise of A HOUSE OF DYNAMITE, a new thriller directed by Academy Award winner Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) and written by Noah Oppenheim (Zero Day). Boasting an impressive ensemble cast including Idris Elba and Rebecca Ferguson, the film is a minute-by-minute account of what the highest levels of government would do in the face of a nuclear attack on America. Bigelow, in her own words, explains what drove her to make this visceral story after Best Picture winner The Hurt Locker and the Oscar-nominated Zero Dark Thirty.

“I grew up in an era when hiding under your school desk was considered the go-to protocol for surviving an atomic bomb. It seems absurd now, and it was, but at the time, the threat felt so immediate that such measures were taken seriously. Today, the danger has only escalated. Multiple nations possess enough nuclear weapons to end civilization within minutes. And yet, there’s a kind of collective numbness, a quiet normalization of the unthinkable. How can we call this “defense” when the inevitable outcome is total destruction? I wanted to make a film that confronts this paradox, to explore the madness of a world that lives under the constant shadow of annihilation, yet rarely speaks of it.”

THE REVIEW:

A House of Dynamite unfolds over the tense course of eighteen minutes, told through three interwoven perspectives. The story begins with President James Ellis (Idris Elba) attending a charity basketball event, where he is abruptly thrust into a national crisis upon learning of an unidentified intercontinental ballistic missile heading toward the United States, most likely hitting Chicago. As the President is evacuated, his responsibilities weigh heavily upon him, especially as he struggles to decide whether to retaliate or stand down amid this unprecedented threat.

Meanwhile, Captain Olivia Walker (Rebecca Ferguson), second-in-command of the military operations room, remains calm and composed, overseeing the frantic defensive response. Alongside her team, she scrambles to track and intercept the incoming missile. On the military command front, General Anthony Brady (Tracy Letts) fervently advocates for an aggressive counterstrike strategy to defend the nation, whereas Deputy National Security Advisor Jake Baerington (Gabriel Basso) counsels restraint, advising the President to avoid rash escalation. These conflicting military strategies deepen the tension and emphasize the grave stakes involved.

Adding a personal layer to the unfolding disaster, Secretary of Defense Baker (Jared Harris) is haunted by his estranged daughter residing in Chicago and becomes emotionally overwhelmed, which culminates tragically. His distracted demeanor contrasts sharply with the high-stakes government deliberations. The missile intercept attempts by ground-based interceptors tragically fail one after the other, escalating the sense of impending doom and the fragile limits of America’s defense capabilities.

The film concludes with the nation on the brink, leaving the President’s final decision ambiguous, underscoring the profound uncertainty and volatility inherent in nuclear deterrence. Government officials seek refuge in the Raven Rock Mountain Complex, while the broader fate of the country remains unresolved, symbolizing the ever-present threat of nuclear annihilation in a “house of dynamite” world where every move carries deadly consequences. In other words, we are left hanging in the end, left to draw our own conclusion as to what happens next.

It was an edge of your seat ride in the beginning, watching the events unfold. But then the questions started in my mind. Who?, Why?, Where? What is the President going to decide to do? As the movie is literally 18 minutes dissected, it leaves a lot of room for the aftermath and the stories untold. I think the movie would ultimately have been more enjoyable had it explored the aftermath, what happens when the missile hits, if it hits, and what happens then. I am not really fond of movies that leave you hanging, I personally love a resolution ending.

So, in conclusion, it was a nice ride but disappointing in the end. Although I think the Director’s aim was to make us think about “What if”, I think it would have been more effective to follow through and let us see the end result. And it would have been nice to see a lot more of Idris Alba in the first half. So that’s a maybe for me on this one, I wouldn’t watch it again.

Canary Black

2024   Amazon MGM Studios

Rated:  R

Length:  1 hr  41min

Action ~ Drama

Directed by:  Pierre Morel

Starring:  Kate Beckinsale, Rupert Friend, Ray StevensonSaffron Burrows, and Jaz Hutchins.

“There’s a file….Canary Black…….you’re going to steal it from your agency. If you fail your husband dies.”

Kate Beckinsale stars as a top CIA operative, Avery Graves. Avery is blackmailed by terrorists into betraying her own country to save her kidnapped husband. Cut off from her team, she turns to her underworld contacts to help locate the coveted intelligence that the kidnappers want. As she is betrayed at every turn, Avery finds herself in a deadly race to deliver a ransom that could trigger a global crisis.

In the very first scene, Kate Beckinsale is wearing a blonde wig that reminds me of Charlize Theron in Atomic Blonde. In fact they almost look identical. And the plot is almost the same, Spy operative is tasked with an impossible mission to extract the priceless file everybody is dying over. Avery graves then scales down the side of a very tall building and kills numerous armed bad men so can she can execute the target in his own swimming pool. All while still wearing the wig.

Then she shows up at home where her husband of three years is making her dinner because it is their anniversary. Some very cheesy gifts are exchanged and then they go out for dinner. Her Husband is played by Rupert Friend and he apparently has no idea she’s a CIA operative and lethal. Rupert is an English actor and I am not familiar with him, but my first thoughts in that first scene with him were:

  • Yo, where’d you get those glasses, I would ditch them.
  • She married you? Really?
  • What’s up with the thick Irish accent, it sucks, actually it’s annoying. And aren’t you playing an Englishman in this movie.

The dialogue and chemistry between them seemed forced, I didn’t really get the vibe that they had known each other and been married for three years. It was almost as if they were strangers forced into a scene.

There were some other scenes and dialogue throughout the movie that felt the same way to me, forced, wasn’t really feeling the vibe. It just felt a little off. Jaz Hutchins who plays Agent Mayfield was horrible. It was some really bad over the top acting. Reminded me of Gerard Butler in LAST SEEN ALIVE. Even the plot and characters just seemed off, forced. I mean Kate did good trying to pull it all together for everybody else but it seemed lacking.

Pierre Morel also directed Taken and Peppermint which I really like, Peppermint is one of my favorites actually. But this one missed the mark, something didn’t work out right. I like Kate Beckinsale but I think Jennifer Garner did a better job in Peppermint. I went in with high expectations and was looking forward to a new spy action thriller. I did enjoy it in spite of the flaws, but on the other side of watching I don’t feel like I could recommend it.

So, that’s just a wave of the hand as in so-so, it was just alright and I can’t recommend it.

New Movie A House Of Dynamite Debuts on Netflix Friday October 24, 2025

FROM NETFLIX TUDUM:

In A HOUSE OF DYNAMITE, the day starts like any other, but then everything changes. When a single unattributed missile is launched at the United States, a race begins to determine who is responsible, and how to respond.

That’s the nerve-wracking premise of A HOUSE OF DYNAMITE, a new thriller directed by Academy Award winner Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) and written by Noah Oppenheim (Zero Day). Boasting an impressive ensemble cast including Idris Elba and Rebecca Ferguson, the film is a minute-by-minute account of what the highest levels of government would do in the face of a nuclear attack on America. Bigelow, in her own words, explains what drove her to make this visceral story after Best Picture winner The Hurt Locker and the Oscar-nominated Zero Dark Thirty.

“I grew up in an era when hiding under your school desk was considered the go-to protocol for surviving an atomic bomb. It seems absurd now, and it was, but at the time, the threat felt so immediate that such measures were taken seriously. Today, the danger has only escalated. Multiple nations possess enough nuclear weapons to end civilization within minutes. And yet, there’s a kind of collective numbness, a quiet normalization of the unthinkable. How can we call this “defense” when the inevitable outcome is total destruction? I wanted to make a film that confronts this paradox, to explore the madness of a world that lives under the constant shadow of annihilation, yet rarely speaks of it.”

A HOUSE OF DYNAMITE also stars Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Jonah Hauer-King, Moses Ingram, Greta Lee, Jason Clarke, Malachi Beasley, Brian Tee, Brittany O’Grady, Gbenga Akinnagbe, Willa Fitzgerald, Renée Elise Goldsberry, Kyle Allen, and Kaitlyn Dever.

A HOUSE OF DYNAMITE opens in select theaters Oct. 3 in the UK, globally Oct. 10, and on Netflix Oct. 24.

 

The Ballad of Wallis Island

2025   Universal Pictures

Rated:  PG-13

Length:  1 hr  39min

Comedy ~ Drama ~ Music ~ Romance

Directed by:  James Griffiths

Starring:  Tom Basden, Tim Key and Carey Mulligan.

He’s Getting The Band Back Together!

On a misty Welsh island far from the mainland, eccentric two time lottery winner Charles Heath (Tim Key) lives alone with memories of his late wife and a collection of folk music relics. To mark the anniversary of his wife’s passing, he splurges on an unusual indulgence hiring his favorite long-disbanded duo, McGwyer Mortimer, for a private concert performed solely for him. When fading singer Herb McGwyer (Tom Basden) arrives expecting a quick payday, he finds himself drawn into Charles’s odd orbit, equal parts wealth and loneliness. What he doesn’t expect is the reappearance of his former musical partner and ex-lover Nell Mortimer (Carey Mulligan), whom Charles has secretly invited too.

Old wounds reopen as the trio collides over dinner, money, and old songs they can barely stand to hear again. Nell, now living quietly in Oregon with her bird-watcher husband Michael (Akemnji Ndifornyen), wants nothing to do with her former life onstage. Herb, desperate to revive his failing solo career, clings to the past while resenting it. Charles, meanwhile, treats them both as living ghosts of the happiness he once shared with his wife. As rehearsals stumble forward, tense silences give way to laughter, confessions, and the soft rebirth of their music. In those verses and harmonies, decades of hurt and longing start to fold back into something tender and human.

When a storm lashes the island, everything spills over, grief, love, resentment, and unexpected forgiveness. Herb’s impulsive act to retrieve a drifting lantern ends in a clumsy rescue that finally grounds all three souls in truth. By the time dawn breaks, the concert has transformed into something far deeper: a quiet eulogy for love that outlasts fame. Herb leaves behind his payment and stage name, signing a guitar with his real identity before departing. In the film’s closing notes, Charles sits with Amanda (Sian Clifford) as folk music drifts across the waves, while somewhere inland, Herb begins recording a new song The Ballad of Wallis Island, proof that even broken chords can still find their tune.

What drew me in most about The Ballad of  Wallis Island was the emotional honesty pulsing under its quiet humor. It’s not a loud movie and it doesn’t need to be. Watching Tim Key’s quirky, lonely Charles slowly chip away at Tom Basden’s crusty cynicism through his sheer enthusiasm for life reminded me that connection can be just as healing as grief is deep. There’s a tenderness in how the film handles nostalgia, the ache of remembering who we used to be, the music we used to play, the people we used to love, without ever making it feel maudlin or manipulative. It feels human, awkward, and genuine, the kind of bittersweet storytelling we don’t often get anymore.​

I think that’s why I loved it so much, it reminds us that life doesn’t have to wrap up neatly. The film embraces imperfection, lingering in the missed notes and uncomfortable silences between people trying to find forgiveness. It’s a movie about the quiet miracles of emotional survival, how creativity and companionship can pull us through when everything else falls away. Carey Mulligan’s performance gives the story its heart, a reminder that growth sometimes comes from sitting in the sadness and still choosing to sing. By the closing scene, that final song feels earned, like a life that’s been lived, scarred, and still somehow hopeful.

An absolute Gem of a Movie that started out as an Indie Short Film, I highly recommend this one!

Make some popcorn,

Grab a beverage,

and Stream This Movie!

Currently on Amazon Prime.

The Martian

2015   20th Century Fox

Rated:  PG-13

Length:  2 hr  24min

Adventure ~ Drama ~ Epic ~ Sci-Fi ~ Survival

Directed by:  Ridley Scott

Starring:  Matt DamonJessica ChastainJeff Daniels, Kristen Wiig, Chiwetel EjioforSean BeanMichael PeñaKate MaraSebastian Stan, Donald Glover and Mackenzie Davis.

BRING HIM HOME!

The Martian follows astronaut Mark Watney (Matt Damon), who is accidentally left behind on Mars after a violent storm forces his crew to abort their mission and evacuate. Believed dead when struck by flying debris, Watney wakes up injured and alone on the hostile red planet with only limited supplies. Determined to survive, he uses his ingenuity as a botanist to grow crops inside the team’s living habitat, known as the Hab. By turning Martian soil and his crew’s waste into usable farmland, and creating water through chemical reactions, he begins to sustain himself while figuring out a way to signal Earth that he is still alive.​

Back on Earth, NASA is stunned to discover images showing Watney’s activity on Mars. Director Teddy Sanders (Jeff Daniels) and mission lead Vincent Kapoor (Chiwetel Ejiofor) scramble to reestablish contact using the old Pathfinder rover, eventually opening a line of communication with Watney. As messages begin to travel between Mars and Earth, NASA faces a monumental challenge, how to rescue him before his limited food and oxygen run out. Scientists and engineers from multiple nations join forces, while the world follows Watney’s struggle in awe and suspense, turning his isolation into a global mission.​

Meanwhile, aboard the Hermes spacecraft, mission commander Melissa Lewis (Jessica Chastain) and her remaining crew learn that their teammate is alive. Torn between orders to return home and their loyalty to Watney, they secretly conspire to go back for him. Astrophysicist Rich Purnell (Donald Glover) develops a daring “slingshot” plan that would redirect the Hermes back to Mars using Earth’s gravity, saving crucial time but putting the crew at immense risk. Against NASA’s official stance, Lewis and her team decide to take the chance, setting off on an unauthorized rescue mission fueled by courage and friendship.​

As Watney drives his rover across the Martian landscape toward the Ares IV launch site, the tension builds. Using parts scavenged from old missions, he prepares for the last, most dangerous phase, launching himself into orbit with a stripped-down Mars Ascent Vehicle to rendezvous with Hermes. In an intense and emotional climax, Commander Lewis reaches out to catch him in open space, reuniting him with the crew in one final, breathtaking rescue. Against impossible odds, Mark Watney’s determination and human resilience triumph, making his story one of survival, science, and hope.

Matt Damon’s performance anchors the film and is frequently hailed as one of his best. Carrying most of the runtime alone, Damon portrays Watney with a mix of frustration, charm, and vulnerability that keeps the viewer invested. His humor becomes a survival tool, softening the loneliness and tension of Mars’s desolation. Damon’s ability to blend wit with emotional depth makes Watney feel like a real person, an explorer confronting fear with intellect and stubborn optimism. Critics note that Ridley Scott gives Damon the cinematic space to let audiences truly connect with Watney’s struggle and triumph.​

Visually, the movie is breathtaking. Scott’s decision to shoot in the Wadi Rum desert in Jordan lends authenticity to the Martian landscape, while Dariusz Wolski’s cinematography captures the vast emptiness of space without losing the intimacy of human emotion. The production’s technical precision extends from set design to space flight realism, creating one of the most scientifically credible sci-fi films of the decade. The music, featuring a mix of Harry Gregson-Williams’s introspective score and Watney’s tongue-in-cheek disco playlist, lightens the mood and grounds the story in personality rather than spectacle.

Ridley Scott’s The Martian is a brilliant reminder why he’s one of sci-fi’s all-time greats, a director who can take you from the shadowy, rain-soaked alleys of Blade Runner to the dusty, lonely surface of Mars without missing a beat. If Blade Runner was Scott’s moody, philosophical masterpiece about what it means to be human, The Martian flips the script with a smart, hopeful survival story that celebrates human ingenuity and grit. Both films boast unforgettable worlds,  the futuristic cityscape in one, the stark Martian horizon in the other, showcasing Scott’s knack for creating settings as powerful as the characters. Watching The Martian feels like catching up with an old friend who’s just as comfortable making you think deeply as making you root for a guy growing potatoes on the red planet.

I don’t remember seeing this movie before but I saw it was on Netflix and decided to give it a go. How could you go wrong with Ridley Scott, Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean, Michael Peña, Kate Mara, Sebastian Stan, Donald Glover and Mackenzie Davis. It does not disappoint, the 2 hours and 24 minute runtime went by super quick. It is a really good movie, one I highly recommend if you haven’t seen it. And if you have, watch it again, well worth a repeat viewing.

Make some popcorn,

Grab a beverage,

and Stream This Movie!

Currently on NETFLIX.