Tag: Streaming Movie

New on Netflix & Prime Video this coming week October 19 – October 25, 2025

NETFLIX:

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2025     Unrated
A dysfunctional family running a renowned herbal medicine business. The owner of the company attempts to innovate by creating a new potion, which ends up triggering a zombie outbreak.
Mikha Tambayong     Eva Celia Latjuba     Donny Damara
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A House of Dynamite (2025)
2025     R
When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.
Idris Elba     Rebecca Ferguson     Gabriel Basso
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PRIME:

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Host (2020)
2020     Unrated
Six friends hire a medium to hold a seance via Zoom during lockdown, but they get far more than they bargained for as things quickly go wrong.
Haley Bishop     Jemma Moore     Emma Louise Webb
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Kit Harington in The Beast Within (2024)
2024     R
After a series of strange events leads her to question her family’s isolated life on a fortified compound deep in the English wilds, 10-year-old Willow follows her parents on one of their secret late-night treks to the heart of the forest.
Kit Harington     Ashleigh Cummings     Caoilinn Springall
Danny DeVito, Elizabeth Banks, Tresi Gazal, Kumail Nanjiani, and Caspar Jennings in Migration (2023)Migration                                                       October 24
2023     PG
A family of ducks try to convince their overprotective father to go on the vacation of a lifetime.
Kumail Nanjiani     Tresi Gazal     Elizabeth Banks
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That’s all we can find for this week,

See you next week!

 

The Ballad of Wallis Island

2025   Universal Pictures

Rated:  PG-13

Length:  1 hr  39min

Comedy ~ Drama ~ Music ~ Romance

Directed by:  James Griffiths

Starring:  Tom Basden, Tim Key and Carey Mulligan.

He’s Getting The Band Back Together!

On a misty Welsh island far from the mainland, eccentric two time lottery winner Charles Heath (Tim Key) lives alone with memories of his late wife and a collection of folk music relics. To mark the anniversary of his wife’s passing, he splurges on an unusual indulgence hiring his favorite long-disbanded duo, McGwyer Mortimer, for a private concert performed solely for him. When fading singer Herb McGwyer (Tom Basden) arrives expecting a quick payday, he finds himself drawn into Charles’s odd orbit, equal parts wealth and loneliness. What he doesn’t expect is the reappearance of his former musical partner and ex-lover Nell Mortimer (Carey Mulligan), whom Charles has secretly invited too.

Old wounds reopen as the trio collides over dinner, money, and old songs they can barely stand to hear again. Nell, now living quietly in Oregon with her bird-watcher husband Michael (Akemnji Ndifornyen), wants nothing to do with her former life onstage. Herb, desperate to revive his failing solo career, clings to the past while resenting it. Charles, meanwhile, treats them both as living ghosts of the happiness he once shared with his wife. As rehearsals stumble forward, tense silences give way to laughter, confessions, and the soft rebirth of their music. In those verses and harmonies, decades of hurt and longing start to fold back into something tender and human.

When a storm lashes the island, everything spills over, grief, love, resentment, and unexpected forgiveness. Herb’s impulsive act to retrieve a drifting lantern ends in a clumsy rescue that finally grounds all three souls in truth. By the time dawn breaks, the concert has transformed into something far deeper: a quiet eulogy for love that outlasts fame. Herb leaves behind his payment and stage name, signing a guitar with his real identity before departing. In the film’s closing notes, Charles sits with Amanda (Sian Clifford) as folk music drifts across the waves, while somewhere inland, Herb begins recording a new song The Ballad of Wallis Island, proof that even broken chords can still find their tune.

What drew me in most about The Ballad of  Wallis Island was the emotional honesty pulsing under its quiet humor. It’s not a loud movie and it doesn’t need to be. Watching Tim Key’s quirky, lonely Charles slowly chip away at Tom Basden’s crusty cynicism through his sheer enthusiasm for life reminded me that connection can be just as healing as grief is deep. There’s a tenderness in how the film handles nostalgia, the ache of remembering who we used to be, the music we used to play, the people we used to love, without ever making it feel maudlin or manipulative. It feels human, awkward, and genuine, the kind of bittersweet storytelling we don’t often get anymore.​

I think that’s why I loved it so much, it reminds us that life doesn’t have to wrap up neatly. The film embraces imperfection, lingering in the missed notes and uncomfortable silences between people trying to find forgiveness. It’s a movie about the quiet miracles of emotional survival, how creativity and companionship can pull us through when everything else falls away. Carey Mulligan’s performance gives the story its heart, a reminder that growth sometimes comes from sitting in the sadness and still choosing to sing. By the closing scene, that final song feels earned, like a life that’s been lived, scarred, and still somehow hopeful.

An absolute Gem of a Movie that started out as an Indie Short Film, I highly recommend this one!

Make some popcorn,

Grab a beverage,

and Stream This Movie!

Currently on Amazon Prime.

The Martian

2015   20th Century Fox

Rated:  PG-13

Length:  2 hr  24min

Adventure ~ Drama ~ Epic ~ Sci-Fi ~ Survival

Directed by:  Ridley Scott

Starring:  Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean, Michael Peña, Kate Mara, Sebastian Stan, Donald Glover and Mackenzie Davis.

BRING HIM HOME!

The Martian follows astronaut Mark Watney (Matt Damon), who is accidentally left behind on Mars after a violent storm forces his crew to abort their mission and evacuate. Believed dead when struck by flying debris, Watney wakes up injured and alone on the hostile red planet with only limited supplies. Determined to survive, he uses his ingenuity as a botanist to grow crops inside the team’s living habitat, known as the Hab. By turning Martian soil and his crew’s waste into usable farmland, and creating water through chemical reactions, he begins to sustain himself while figuring out a way to signal Earth that he is still alive.​

Back on Earth, NASA is stunned to discover images showing Watney’s activity on Mars. Director Teddy Sanders (Jeff Daniels) and mission lead Vincent Kapoor (Chiwetel Ejiofor) scramble to reestablish contact using the old Pathfinder rover, eventually opening a line of communication with Watney. As messages begin to travel between Mars and Earth, NASA faces a monumental challenge, how to rescue him before his limited food and oxygen run out. Scientists and engineers from multiple nations join forces, while the world follows Watney’s struggle in awe and suspense, turning his isolation into a global mission.​

Meanwhile, aboard the Hermes spacecraft, mission commander Melissa Lewis (Jessica Chastain) and her remaining crew learn that their teammate is alive. Torn between orders to return home and their loyalty to Watney, they secretly conspire to go back for him. Astrophysicist Rich Purnell (Donald Glover) develops a daring “slingshot” plan that would redirect the Hermes back to Mars using Earth’s gravity, saving crucial time but putting the crew at immense risk. Against NASA’s official stance, Lewis and her team decide to take the chance, setting off on an unauthorized rescue mission fueled by courage and friendship.​

As Watney drives his rover across the Martian landscape toward the Ares IV launch site, the tension builds. Using parts scavenged from old missions, he prepares for the last, most dangerous phase, launching himself into orbit with a stripped-down Mars Ascent Vehicle to rendezvous with Hermes. In an intense and emotional climax, Commander Lewis reaches out to catch him in open space, reuniting him with the crew in one final, breathtaking rescue. Against impossible odds, Mark Watney’s determination and human resilience triumph, making his story one of survival, science, and hope.

Matt Damon’s performance anchors the film and is frequently hailed as one of his best. Carrying most of the runtime alone, Damon portrays Watney with a mix of frustration, charm, and vulnerability that keeps the viewer invested. His humor becomes a survival tool, softening the loneliness and tension of Mars’s desolation. Damon’s ability to blend wit with emotional depth makes Watney feel like a real person, an explorer confronting fear with intellect and stubborn optimism. Critics note that Ridley Scott gives Damon the cinematic space to let audiences truly connect with Watney’s struggle and triumph.​

Visually, the movie is breathtaking. Scott’s decision to shoot in the Wadi Rum desert in Jordan lends authenticity to the Martian landscape, while Dariusz Wolski’s cinematography captures the vast emptiness of space without losing the intimacy of human emotion. The production’s technical precision extends from set design to space flight realism, creating one of the most scientifically credible sci-fi films of the decade. The music, featuring a mix of Harry Gregson-Williams’s introspective score and Watney’s tongue-in-cheek disco playlist, lightens the mood and grounds the story in personality rather than spectacle.

Ridley Scott’s The Martian is a brilliant reminder why he’s one of sci-fi’s all-time greats, a director who can take you from the shadowy, rain-soaked alleys of Blade Runner to the dusty, lonely surface of Mars without missing a beat. If Blade Runner was Scott’s moody, philosophical masterpiece about what it means to be human, The Martian flips the script with a smart, hopeful survival story that celebrates human ingenuity and grit. Both films boast unforgettable worlds,  the futuristic cityscape in one, the stark Martian horizon in the other, showcasing Scott’s knack for creating settings as powerful as the characters. Watching The Martian feels like catching up with an old friend who’s just as comfortable making you think deeply as making you root for a guy growing potatoes on the red planet.

I don’t remember seeing this movie before but I saw it was on Netflix and decided to give it a go. How could you go wrong with Ridley Scott, Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean, Michael Peña, Kate Mara, Sebastian Stan, Donald Glover and Mackenzie Davis. It does not disappoint, the 2 hours and 24 minute runtime went by super quick. It is a really good movie, one I highly recommend if you haven’t seen it. And if you have, watch it again, well worth a repeat viewing.

Make some popcorn,

Grab a beverage,

and Stream This Movie!

Currently on NETFLIX.

The Woman In Cabin 10

2025   Netflix

Rated:  R

Length:  1 hr  32min

Drama ~ Mystery ~ Thriller

Directed by:  Simon Stone

Starring:  Keira Knightley, Guy Pearce, David Ajala, Art Malik, Gugu Mbatha-Raw, Kaya Scodelario, David Morrissey, Daniel Ings, and Hannah Waddingham.

They Don’t Want You To Believe What She Saw

The Book:

The Woman in Cabin 10 is a New York Times Best-Selling Novel by Ruth Ware  published April 11, 2017. CBS initially acquired the film rights in 2017 and began developing a film, but in May 2024 it was announced that Netflix had bought the rights and Simon Stone was slated to direct with Kiera Knightley playing the lead role of Laura Blacklock.

Reminiscent of a classic whodunit, this “pulse-quickening” instant New York Times and USA TODAY bestseller follows a journalist searching for a missing woman on a cruise ship, a woman that everyone else insists doesn’t exist.

Travel magazine writer Lo Blacklock has just been given the assignment of a lifetime: one week on a luxury cruise with only a handful of cabins. The sky is clear, the waters calm, and the elite guests jovial as the exclusive cruise ship, the Aurora, begins her voyage in the picturesque North Sea.

At first, Lo’s voyage is perfect, with a plush cabin, elegant dinner parties, and plenty of relaxation. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a dark and terrifying nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for, and so, the ship sails on as if nothing has happened, despite Lo’s desperate attempts to convey that something has gone terribly, terribly wrong…

With surprising twists, spine-tingling turns, and a setting that proves as uncomfortably claustrophobic as it is eerily beautiful, Ruth Ware offers up a taut and intense read in The Woman in Cabin 10, proving, once again, her place as “the Agatha Christie of her generation”.

The Movie:

Journalist Laura “Lo” Blacklock (Keira Knightley) is looking for a career boost when she’s offered the chance to cover a luxury cruise on a billionaire’s yacht, the Aurora Borealis. The trip, arranged by wealthy philanthropist Anne Bullmer (Lisa Loven Kongsli) and her husband Richard (Guy Pearce), is a lavish journey to Norway under the pretense of Anne’s final charitable act. Guests on board include not only the couple’s high-society friends, like the shrewd socialite Heidi (Hannah Waddingham) and glamorous influencer Grace (Kaya Scodelario), but also Lo’s old flame, photographer Ben (David Ajala). The yacht’s gleaming hallways and endless drinks disguise underlying tensions, while Lo, though grateful for the invitation, remains unsettled by lingering anxiety and a run-in with a mysterious woman next door.​

On her first night, Lo is startled to meet a frightened woman (Gitte Witt) in the supposedly empty adjacent Cabin 10, who begs her for help before vanishing into the bathroom. Later, after a night of heavy drinking, Lo hears a violent commotion from Cabin 10, followed by the unmistakable splash of something or someone falling overboard. Racing to her balcony, Lo sees a body in the water and a bloody mark next door, but when she raises the alarm, the yacht’s crew and passengers insist that nobody ever checked into Cabin 10. Shocked and isolated, Lo finds herself the only person convinced a crime has taken place.​

Her efforts to investigate put her at odds with Richard Bullmer (Guy Pearce), whose slick demeanor and evasiveness turn increasingly sinister, as well as with the rest of the guests, who seem eager to believe Lo is imagining things. Undeterred, Lo pursues clues with the help of Ben (David Ajala) and challenges the eerie silence of the luxury cruise, discovering suspicious details, disappearing belongings, threatening notes, and evidence that someone is tampering with her cabin. As pressure mounts and her paranoia spirals, Lo begins to question not just the loyalties of those around her, but her own grasp on reality, all while someone clearly wants her to drop her search for the “woman in Cabin 10” at any cost.​

With danger closing in and the yacht cut off from the outside world, Lo fights to piece together the truth behind the woman’s disappearance. Her only allies seem to be her stubborn sense of right and the slim trail of clues the mystery woman left behind. As secrets are exposed through the stormy, claustrophobic voyage, Lo’s investigation turns into a desperate game of survival—proving that even surrounded by luxury, no one is safe from the darkness lurking just out of sight.

The Review:

This was a good movie, a classic whodunit on board a luxury yacht. Keira Knightley was easy to like and made her character, Laura “Lo” Blacklock, feel real and relatable right away. The story kept me on the edge of my seat with its twists and surprises, and the fancy, cramped yacht setting made everything feel even more tense. It’s the kind of mystery that’s exciting but also easy to follow, and I enjoyed watching it from start to finish. If you are a fan of the whodunit’s or a good mystery thriller, you’re going to like this one!

Following the watching of Netflix’s thriller “The Woman in Cabin 10,” starring Keira Knightley as journalist Lo Blacklock, it felt ripe for a sequel. Ruth Ware, the original novel’s author, released the follow-up book “The Woman in Suite 11” in July 2025, continuing Lo’s story as she navigates a perilous investigation at a luxury Swiss hotel. While Netflix has yet to officially announce a film adaptation of the sequel, industry buzz and positive reception of the first movie make it a natural next step. Ware expressed enthusiasm for seeing Lo’s story continue on screen, though she has also mentioned an interest in adapting other novels first. If Netflix moves ahead, we can likely expect Knightley to reprise her role as Lo, diving back into a world of secrets, power, and danger beyond Cabin 10’s yacht.

Maintenance Required

2025   Amazon MGM Studios

Rated:  PG-13

Length:  1 hr  42min

Comedy ~ Romance

Directed by:  Lacey Uhlemeyer

Starring: Madelaine Petsch, Jacob Scipio, Madison Bailey, Katy O’Brian, Inanna Sarkis, Matteo Lane, Rob Rausch and Jim Gaffigan.

Sometimes Love Needs A Tune-Up

Charlie (Madelaine Petsch) runs a struggling all-female auto shop that she inherited from her father, fighting to keep the business alive in Oakland. She’s fiercely independent but somewhat closed off, finding companionship mostly online where she exchanges anonymous car forum messages with Bullnose, someone who shares her obsession for classic Ford Broncos. Charlie prefers the predictable comfort of engines to the messiness of relationships, choosing her father’s Bronco Marge over any potential romantic encounter.

Across the street, a slick new Miller Boys corporate garage suddenly opens and threatens Charlie’s livelihood. Its local owner, Beau (Jacob Scipio), is charismatic and kind, but he’s really the competition and unknown to Charlie, he’s also her online confidant, Bullnose. While Beau secretly grapples with guilt about his job undermining Charlie, he also finds himself falling for her, both online and in person, resulting in a series of meet-cute mishaps—a shop visit for a classic car, a shared nail salon moment, and eventually, romantic tension that neither can deny.

The truth comes out at a car show, where Charlie realizes her online friend and business rival are the same man. Hurt, Charlie distances herself, but ultimately misses Beau and decides to take a chance on love despite the rivalry. In classic rom-com fashion, her friends Izzy (Madison Bailey) and Kam (Katy O’Brian) cheer her on. The story closes as Charlie and Beau unite both romantically and professionally, suggesting that sometimes both cars and hearts need a little maintenance to keep running.

Maintenance Required starts off strong with a fresh and fun idea, Charlie (Madelaine Petsch) running her dad’s all-female auto shop while unknowingly falling for Beau (Jacob Scipio), her charming business rival and online mystery man. The film pays homage to and borrows from the two classic Rom-Com movies The Shop Around The Corner and You’ve Got Mail. The first half is full of heart and promise, with some great character moments and a feel-good underdog vibe. But as the story moves into the second half, it starts to drag a bit and lose focus. The characters’ choices sometimes feel forced, and the plot leans on predictable rom-com clichés.

While there’s good chemistry between the leads and some laughs, the movie doesn’t quite hit the emotional notes it aims for, leaving the ending feeling a little flat. Overall, it’s an okay watch if you like light romantic comedies but don’t expect anything groundbreaking. And if you are a vintage car enthusiast, you might lose your mind at Beau sticking an EV engine in a classic Ford Bronco! Blasphemy!