Tag: Streaming Movie

Train Dreams

2025   Netflix

Rated:  PG-13

Length:  1 hr  42min

Drama

Directed by:  Clint Bentley

Starring:  Joel Edgerton, Felicity Jones, Clifton Collins Jr., Kerry Condon and William H. Macy.

The Extraordinary Story of an Ordinary Life

Train Dreams is a quiet, emotional drama that follows Robert Grainier (Joel Edgerton), a logger and railroad worker trying to build a simple life in the rough forests of the American Northwest in the early 1900s. He spends his days doing dangerous manual labor for the growing railroad, then returns to a small cabin where he lives with his loving wife Gladys (Felicity Jones) and their young daughter, hoping to give them a stable future as the modern world starts to creep in.​​

Early in the film, Robert is involved in an ugly incident when a Chinese laborer is falsely accused of theft, an event that plants a sense of guilt and unease in him that never quite goes away. As he keeps taking on risky jobs in logging and construction, the film shows how the railroad, dynamite work led by explosives expert Arn Peeples (William H. Macy), and the spread of industry slowly change the land and the people who depend on it. Robert’s work constantly pulls him away from home, hinting that the world he wants to protect is always at risk.​

A terrible wildfire eventually tears through the valley where his cabin stands, wiping out almost everything and leaving Robert unsure of what happened to Gladys and their child. In the aftermath, he wanders between logging camps and small towns, crossing paths with fellow worker Boomer (Clifton Collins Jr.) and a practical, observant forestry services worker named Claire Thompson (Kerry Condon), who is stationed in a lonely lookout tower watching for future fires. These encounters show him different ways people cope with loss, change, and the harshness of frontier life.​

As years pass, Robert grows older and more isolated, still haunted by memories of his family, the Chinese laborer, and the relentless advance of trains and highways through the wilderness. The movie follows him through small but powerful moments, watching new bridges go up, seeing modern machines arrive, and trying to find peace in the natural world around his cabin, until his life becomes a kind of quiet reflection on love, regret, and survival in a country racing toward progress. Train Dreams keeps the story simple and grounded, focusing more on feelings and atmosphere than big plot twists, making it a gentle but moving character study.

Director Clint Bentley brings together powerful storytelling, breathtaking visuals, and deeply human performances that connect on an emotional level. Joel Edgerton delivers a career-best performance, making the character of Robert Grainier feel completely real and relatable, while supporting actors like Felicity Jones and William H. Macy also shine in their roles. The cinematography immerses you in the natural world of the American West, capturing sunsets, forests, and campfires with an almost poetic touch. The music, composed by Bryce Dessner, adds to the movie’s gentle atmosphere, enhancing the emotions without trying to force them.

What really sets Train Dreams apart is its ability to depict the everyday dignity of ordinary people and the ways our lives are shaped by encounters and changes, both big and small. It’s a film that’s both intimate and mythic, it captures a sense of time passing and memories building up, something most movies rarely pull off this elegantly.​

Ultimately, Train Dreams stands out because it is deeply honest, visually striking, and lets you truly step into Robert’s shoes, making it not just one of the best movies on Netflix this year, but a memorable, quietly rewarding experience that stays with you long after the credits roll. As Bobby would say:

Highly Recommended!

Turn off the lights and devices,

Make some popcorn,

Grab a beverage,

and Stream This Movie

on NETFLIX!

New Movie Train Dreams Debuts on Netflix Friday November 21, 2025

New on Netflix & Prime Video this coming week November 23 – November 29, 2025

NETFLIX:

⋅

2022     G
Hired by shopping mall magnate Ed Mancini to host a Christmas gala for his biggest investors, Emily heads to Santa Bootcamp, to find the perfect Santa and the inspiration she’ll need to make the evening a success.
Rita Moreno     Emily Kinney     Justin Gaston
2025     Unrated
At the height of the holiday season, two strangers team up to rob one of London’s most famous department stores while accidentally falling in love.
Belal Sabir     Peter Serafinowicz     Lucy Punch
2023     PG-13
When the vengeful Black Manta returns wielding a powerful ancient weapon, it’s up to Aquaman to reconcile with a former rival and save the world.
Jason Momoa     Patrick Wilson     Yahya Abdul-Mateen II
⋅
Nina Ye in Left-Handed Girl (2025)
2025     R
A single mother and her two daughters relocate to Taipei to open a night market stall, each navigating the challenges of adapting to their new environment while striving to maintain family unity.
Esther K. Chae     Janel Tsai     Nina Ye
⋅
⋅

PRIME:

⋅

Toni Collette, Mark Ruffalo, Robert Pattinson, Steven Yeun, and Naomi Ackie in Mickey 17 (2025)
2025     R
During a human expedition to colonize space, Mickey 17, a so-called “expendable” employee, is sent to explore an ice planet.
Robert Pattinson     Steven Yeun     Michael Monroe
⋅
⋅

 

That’s all we can find for this week,

See you next week!

 

After The Hunt

2025   Amazon MGM Studios

Rated:  R

Length:  2 hr  18min

Drama ~ Psychological Thriller

Directed by:  Luca Guadagnino

Starring:  Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg and Chloë Sevigny.

Not everything is supposed to make you comfortable.

FROM AMAZON PRIME:

AFTER THE HUNT is a gripping pychological thriller about a college professor (Julia Roberts) who finds herself at a personal and professional crossroads when a star student (Ayo Edebiri) levels an accusation against one of her colleagues (Andrew Garfield), and a dark secret from her own past threatens to come into the light.

“A Gripping Psychological Thriller…..”

I would hardly call it gripping, borderline boring, and definitely not thrilling. More of a “where is all this leading?” quandary as you watch and wonder. The very beginning of the movie starts out with the very loud ticking of a clock. So loud it was immediately annoying, and I had to pause the movie to make sure it wasn’t something else I was hearing. It wasn’t, it was in the movie soundtrack. It was odd because they didn’t even show a clock, I kept waiting for one. It seemed to last forever until it finally abated, only to show up obnoxiously halfway through the movie, just as loud. The only thing I can assume is that it was meant for dramatic effect, apparently to add a heightened sense of tension. Which, as far as I can tell, failed in it’s mission because it seemed to have no relation to the film or the storyline.

The Characters:

In the beginning, as we meet the characters in the movie, Alma (Julia Roberts) and her husband Frederik (Michael Stuhlbarg) are throwing a dinner party at their lavish house. Alma, Maggie (Ayo Edebiri) and Hank (Andrew Garfield) are engaged in a very philosophical debate about the current state of man and education. It came across as very contrived philosophy forced onto actors playing the part. Hank and Alma are both up for tenure at Yale, and Maggie is Alma’s brightest student. Hank and Alma were also lovers in the past, as we find out later in the movie, which is part of the supposed tension and drama. It didn’t really come across that way, although there was some solid chemistry between Julia and Andrew. Hubbie Frederik came across as a bit of a weirdo, it was hard to imagine that Julia and Michael were a married couple, more like The Odd Couple.

The Actors: 

We all love Julia Roberts, hopefully. As I watched her I couldn’t help but compare her in this to some of her other roles like Pretty Woman, Ocean’s Eleven, The Pelican Brief, and one of my all time favorite movies, Erin Brokovich. I don’t think this role was right for her, although she did a fine job with it. I think that had more to do with the directing and the story itself. Andrew Garfield is a Streaming Movie Night Favorite: Hacksaw Ridge, We Live In Time, Spider Man….Andrew is a charismatic, lovable Character Actor. He does some fine dramatic acting in this movie, but again, some of it fell flat thanks to the directing. Ayo Edebiri as Maggie came across as contrived, clunky in her motions and scenes. People don’t act like that, pun intended, but again I think it was the script, story or the directing.

The Less Than Thrilling Drama:

I didn’t set out to bash this movie, although as I look at what I have written, it sure feels that way. There were scenes that really didn’t make sense to me, for example:

    • Maggie rooting through the bathroom linen closest looking for toilet paper, ransacking the entire closet all the way to the bottom shelf. Then leaning over and in far enough to find the envelope Alma had taped to the underside of the shelf, to hide it from the world. Then opening it and taking something from inside it……
    • Frederik getting upset at the dinner table with Maggie for no apparent reason, then turning into a complete ass, grabbing his plate and storming off. Then playing music at such a loud obnoxious volume…for what? That was not clear to me.
    • Alma stealing blank prescriptions from her friend Dr. Sayers office and then forging a prescription for pain meds while she is trying to walk the straight and narrow line to a Tenure position at Yale. Doesn’t make sense.

I feel like I need to stop the bashing, again, that is not what I intended when I started writing this, but that is what I feel like I am doing. My expectations were high given the star power of Julia Roberts and Andrew Garfield. But for me, it didn’t deliver. They were great but the movie itself felt disjointed, and as a whole, contrived and over dramatized. Somewhere about an hour and a half into it I thought, “How long has it been, how long is this movie?” I was a little dismayed when I saw I still had a ways to go.

The hook at the end, the secret that Alma was hiding, the thing that Maggie discovered about Alma and tried to use against her, was anti-climatic. I think it was supposed to pull it all together but it just kind of fell flat. It was disappointing, I found myself thinking, “That’s it? That’s what I waded almost two and a half hours through…….for that?”

So while it features some great acting by Julia Roberts and Andrew Garfield, the direction and story felt like they missed the mark. In hindsight I do see what it could have been, a better movie…a great movie. But for me, it didn’t get there. I wouldn’t waste almost two and a half hours on After The Hunt again.

We Live In Time

New Movie Train Dreams Debuts on Netflix Friday November 21, 2025

Train Dreams Is the Extraordinary Story of an Ordinary Life

Joel Edgerton stars in the moving film from director Clint Bentley based on the Novella by Denis Johnson. Train Dreams premieres on Netflix Friday November 21, 2025.

FROM NETFLIX TUDUM:

Based on the beloved novella by Denis Johnson, Train Dreams is the moving portrait of Robert Grainier (Edgerton), whose life unfolds during an era of unprecedented change in early 20th-century America. Orphaned at a young age, Robert grows into adulthood among the towering forests of the Pacific Northwest, where he helps expand the nation’s railroad empire alongside men as unforgettable as the landscapes they inhabit. After a tender courtship, he marries Gladys (Jones) and they build a home together, though his work often takes him far from her and their young daughter. When his life takes an unexpected turn, Robert finds beauty, brutality, and newfound meaning for the forests and trees he has felled.

An ode to a vanishing way of life, an ever-evolving world, and to the extraordinary possibilities that exist within even the most simple of existences, Train Dreams captures a time and place that are now long gone, and the people who built a bridge to a future they could only dream of. Directed by Academy Award nominee Clint Bentley with a screenplay by Bentley and Academy Award nominee Greg Kwedar, the writing team behind Sing Sing, the film also stars Academy Award nominees William H. Macy and Kerry Condon.

Train Dreams

New Movie After The Hunt Debuts On Prime Thursday November 20, 2025

AFTER THE HUNT

“People never lie so much as after a hunt, during a war, or before an election.”

–Otto Von Bismarck

FROM AMAZON MGM STUDIOS:

In Luca Guadagnino’s thriller, written by Nora Garrett, a devastating campus accusation unleashes a torrent of public and personal chaos that blurs the truth of what really happened beyond recognition. Secrets, deceptions, furies, and mixed agendas for the film’s five central characters soon collide in the morality tale that is After The Hunt. And as the tension mounts, the film becomes an intentional provocation, a mirror on this modern moment, probing the dynamics of power, privilege, community—and how they interplay with a whole host of human frailties.

After The Hunt tells the blisteringly psychological story of gifted, unapologetically ambitious philosophy professor Alma Imhoff, who is in an all-out bid for the tenure she knows her work merits. But when Alma’s prize student Maggie suddenly asks for help, levelling charges against Alma’s colleague and close friend Hank Gibson, it threatens to uncover Alma’s own long-buried private history.

Academy Award® winner Julia Roberts is joined by Academy Award® nominee Andrew Garfield, Emmy Award® winner Ayo Edebiri, Academy Award® nominee Chloë Sevigny, and SAG Award® winner Michael Stuhlbarg creating an all-star cast each matched in craft and versatility. Their intricate performances underline After The Hunt’s stark refusal to provide easy answers and instead barrel into the blurred, divided territory we all vividly recognize as the world we inhabit right now.

This visceral sense of life as we feel it is a touchstone quality of storytelling in the auteur vision of Luca Guadagnino. With his meticulous cinematic craft and love of hard questions, his audiences’ minds are often active long after the credits have rolled. For Guadagnino, the story of an elite campus in turmoil was a magnet precisely because it felt destined to ignite conversation—not just about which people in the story are telling the truth but how status, desires, and prejudices tint our views of reality.